Compulsive Admin

How to Survive Kickstarter

Kickstarter is a beast when trying to fund a project.

Setting up a Kickstarter page and publishing are the easy parts. It is marketing that can quickly kill the soul of artists and creators.

If you have been reading Compulsive Creative for awhile, you might remember the article “Kickstarter Campaign Tips & My Last 24 Hours.” In that post, I cover things I wished I had done and what I planned to do after the campaign.

In this article, we are going to get the perspective from another successful Kickstarter, Sarah Roark. The following was her response to a group trying to Kickstart their graphic novel.

Sarah’s response to, “How long did it take you to reach your goal? What were some strategies for promotion?”

………..

Hi [name removed]

Mine very much followed the now-typical “bathtub shape” model of strong activity in the first several days and the last several days, and lots of nothin’ in between. You may be interested to compare my funding graph with other similar projects: kicktraq.com

By the way, do not put too much stock in Kicktraq projections. They just take whatever your current trajectory is and project it straight out – it doesn’t take the bathtub curve into account. Kickspy did a much better job with that, but it got taken down and is now trying to retool its services. Point is, KICKTRAQ HATES YOU and it LIES. The fact is that if a campaign hits 30% at any point in its span, its odds of fully funding become 90%. No joke: “The 30% Kickstarter project ‘Tipping Point’.”

My colleagues’ prediction that I’d get BY FAR the most pledges on the first and last days of the campaign turned out to be right on the money. People dawdle. They do not care how many heart attacks they give the creator in the meantime. The ‘remind me about this KS’ button people can hit on a project they’re considering backing does not even send them notification till 48 hours before close.

As far as promo went, I did run some cheap web ads. I also did some outreach to comics/fan sites and submitted whatever materials they’d take for news release, etc, and appeared on two podcasts for interviews, the Grawlix podcast with Jesse Kiefer and co and the Jason Loves Life podcast, those were great.

IIRC [if I recall correctly], The vast majority of my referrals came through Facebook but there was also a fair Twitter contingent. (Some people have it the opposite, or they get mostly Tumblr traffic — whatever channel you have best established will probably be your winner.) I did some spamming on both those platforms, including content-bearing spam, like reward sketches for funding milestones, and also begged shares from many of my friends and colleagues (trying not to be a pest in the process, but you have to pest just a BIT). I also did an email blast to everyone that I had a reason to believe was actually interested right before the campaign and 48 hours before the campaign was to run out.

Hope this helps! It’s pretty getting-raked-over-coals no matter what.

………..

There you have it.

I completely agree with everything she said. For my last campaign, Kickstarter was my top referral and Twitter was my second. It was a lot of work, and I bothered people more than I felt comfortable, but I also wanted to hit our funding goal… Which we did.

So, here are 5 tips for surviving your Kickstarter.

1- Ask for help from your friends. If they love you, they will be okay with it.
What I found worked best was contacting them directly one time and asking if they would share my project.

2- Connect with people who have an audience that would like your project.
It is important that you don’t ask for help right off the bat. Make sure to try and build a little bit of a relationship or at least do something for them first. Ask if they are looking for a guest post (bloggers), a guest for a show (podcasters), or fan art (webcomic).

3- Get people to back early. The best way to do this is to tell people the importance of backing early. I also found having “early bird” rewards helped with getting people to stop procrastinating.

4- Continually update people on the project. You can do this through Kickstarter updates, social media, or your website. These updates keep the campaign fresh in your friends’ minds and increases the likelihood of them backing or telling friends.

5- Stay healthy (this is IMPORTANT). Most of us survivors of Kickstarter experience sickness from lack of sleep, stress, and exhaustion during the campaign. Be prepared for this and plan accordingly.

If you have any further questions, feel free to ask away in the comments below.

You can check out Sarah Roark’s past Kickstarter campaign (After Daylight – Vampire Comedy: Volume 1) or her webcomic (www.afterdaylight.com). You can hear more about her experience in her article “Talking Turkey about Kickstarters.” It is full of Kickstarter Wisdom.

3 Amazing Sculptures Made from Sand

As a kid, we all loved going to the beach. It brings back a lot of memories.

Mom or dad give us that little set of plastic buckets shaped like something, a castle or a seahorse, what have you. You pack it with wet sand, flip it upside down, jiggle the bucket free aaaaaaAand BAM! Castle.

When I was in elementary school, somebody came to the playground and made a 7-foot dolphin in the sand box, but that didn’t have anything on these!

1-Alien Vs Bender

Alien Vs Bender

These figures are by award-winning sand sculptor, Carl Jara.

2-Flea Circus

Flea Circus Sand Sculpture

I thought this pug art (called Flea Circus) was a painting until I noticed the woman (sand sculptress, Susanne Ruseler) in the corner of the photo.

Check out the details of this flea.

Flea from the Sand Sculpture

3-Eiffel Tower, Golden Gate Bridge and Swiss Clockwork

Eiffel Tower, Golden Gate Bridge and Swiss Clockwork

This sand sculpture is my favorite. Anybody could duplicate Eiffel’s tower; others have done it. But sculpting it into twisty turneys lines and throwing in the inner workings of a pocket watch… suddenly my interest in the French icon is reborn.

2015 Best Computer Animated Short

“Jinxy Jenkins and Lucky Lou” is amazingly funny and incredibly touching! It is an exploration of two people getting the life they want in finding each other.

The film won 2015 Best Computer Animated Short at SIGGRAPH. This conference includes tens of thousands of computer professionals around the world…. It is a big deal.

“Jinxy Jenkins and Lucky Lou” is by Michael Bidinger and Michelle Kwon. This film is their senior thesis for graduating from Ringling College of Art and Design. We will be keeping an eye on these two as they have already started working with big media creators like JibJab and Pixar.

 

 

The Best Thing EVER for Creatives

While cruising Netflix yesterday, I saw a show that stood out.

Hit Record on Netflix

The show description grabbed my attention:

Joseph Gordon-Levitt’s crowdsourced variety show features short films, animation, music and more, with each episode organized around a theme.

With the words Crowdsourced, variety show, and animation, I had to give it a watch… And I loved it!

It is more than a TV show.

To get the full scope, watch this video of Joseph Gordon-Levitt explaining the site.

I can’t describe how excited I am about the premise of this production company. It feels like something too good to be true. A place for artists and creatives to collaborate on projects together.

It sounds like a compulsive creatives’ Shangri-La.

Rather than just exhibiting and admiring each others work as isolated individuals, we gather here to work on projects together. Having someone take creative liberty with what I’ve done, it’s just fascinating. It’s like, ‘Wow they really got it.’ Or they didn’t get it. You can really tell, based on the art that they make. Much more than what the box office was.

-Joseph Gordon-Levitt

Over the next four weeks (possibly longer), I am going to dedicate at least one full day to this site. Checking it out, connecting with people, and collaborating.

I will be posting my experience here on compulsivecreative.com. If you join hitREcord or are already a collaborator, let me know. You can send me an email at jason@compulsivecreative.com. I would love to hear what you’re working on, what you think of the site, and/or just say hello.

I feel like this might be the best thing EVER for creatives.

Why are Chuck Jones’ Cartoons so Funny?

The people over at Every Frame a Painting created this cool “mini” documentary on what makes Chuck Jones’ cartoons so good. Chuck Jones made over 250 films, was nominated eight times for an Oscar (got three), and has won countless awards during his lifetime.

I was going to do a breakdown of what I learned from this video, but instead I would like to hear your favorite parts. There is so much to take away.

Let’s get a dialogue going on this.
Leave your thoughts in the comments below.

10 Life Lessons from Marc Maron’s interview with Louis C.K.

Marc Maron’s interview with Louis CK made Slate’s number one spot on their list of “The 25 Best Podcast Episodes Ever“. This was a good excuse for me to relisten to the episode.

There are a lot of things to take away from this interview, but here are my top ten.

10 – Producers do stupid stuff all the time.

We assume that the people who run the business side of the entertainment industry know what they are doing. It turns out they are as clueless as everyone else.

Worse yet, when working with larger studios and producers, they have more power. They can kill a film or project for any or no reason. Including giving the film to another artist or rewriting your work.

9 – Compulsions are not the fixation.

Many artists and creatives have issues around anxiety and compulsions. Louis CK is no acception. He gives some extreme examples throughout the interview.

Here is some advice he got from his therapist:

When you do those things you regret all the time. Like eating bad food or jacking-off in a shameful situation. Sexual compulsions, eating compulsions’…

He said, ‘the issue is not the food or the sexual object. It is anxiety.

You are having anxiety, and you are doing these things to deal with your anxiety. Maybe if you tell yourself at the moment, it might help you.

It was an enormous help!

I find this very helpful as well.

8 – We evolve as artists, and it is okay.

Louis CK started his career doing absurdist comedy. Now his jokes reflect on himself and everyday life struggles. If Louis CK can evolve into what he is today, maybe it is time for you (and me) to accept changes in art styles and projects.

Be okay with your evolution.

7 – Be nice to your friends.

Marc Maron & Louis CK

We always need friends. If you piss all your friends off, it is going to be a hard life.

90% of the interview was just about Marc Maron and Louis CK trying to heal their friendship.

6 – Make friends with people who have similar dreams.

It is amazing to hear about all the other comedians Louis CK lived with, worked with and stayed in contact. It shows how helpful it can be to have friends with similar dreams.

Here is just a short list of what these comedians gained by being friends:

  • they pushed each other
  • benefited from a healthy competition
  • shared valuable contacts (like producers and agents)
  • could learn from each others mistakes and accomplishments.

5 – Being successful requires a lot of work/focus.

Just hearing all the things Louis CK has gone through makes me exhausted. He had several times considering quitting, but he just kept working.

It made me think of all the artists who love the outcome of their work but need to be in love with the process (at least a little) to keep pushing on.

4 – Collaborate on other people’s projects.

Several of the people that work on Louis CK’s show helped with his early films. Collaborating with him on no-budget projects to his television shows today.

As Louis CK works on bigger projects, he brings on the editors, DPs, and others comedians he likes.

3 -Start working on projects even if the odds are against you.

Louis CK talks about how inspiring Francis Ford Coppola was to him. Especially after seeing the documentary “Hearts of Darkness“. He even quotes some of that documentary in his interview.

(Talking about Coppola)
He made that movie happen without anyone really wanting him to…
The way Francis operates is if he wants to make a movie he just starts making the movie. He doesn’t wait for permission or for even the money. He just starts making the movie and figures, ‘If I just start making the movie people will start joining up along’.

And that’s how I’ve done everything since then. I just start making it and give it a life.

2 – Kids change things.

Another lesson Louis CK learned from Coppola.

Marc Maron relays a story about Francis Ford Coppola saying to Louis CK, “You don’t know what it is like to work until you have children.” Louis CK agrees and later reiterates this point.

This lesson hit home now that I have two kids of my own as well. If I fail and become broke it doesn’t mean I can just starting eating cheap food and get a roommate. It means my kids suffer.

I don’t feel you have to have children to be a hard worker, but kids do change things.

Children are a big motivator for me to finish projects and not sit around spinning my wheels. I need to work and make money for them.

1 – Used Mac Book to edit his show.

I write and edit the whole show on my Mac Book Pro. On the 13 inch…

He mentions that he uses high-end cameras (the RED) and other expensive equipment but edits his TV show with just a Mac Book Pro.

It is common for me to see the budget limitations as an excuse for not being able to do a project or finish one. With today’s technology, lack of money is no longer a good reason. All we need to shoot a film is a camera phone and a computer.

If you ever get hung up on the equipment issue, just remember “Louie” was edited on a laptop back in 2010. Just imagine what today’s possibilities are. Louis CK editing a movie.

A Tale of Momentum & Inertia – CG Animation

This video is an example of an excellent animation film.

Lessons independent animators can learn from this video:

  • It is short – Takes less time to make.
  • Simple premise – Only has one character.
  • It is funny – Humor is always easier to sell.

“A Tale of Momentum & Inertia” is by HouseSpecial, a Portland-based animation studio.

You can see some artwork during the process and the awards the film has won at www.housespecial.com/all/#momentum